And under), including live-action narrative, documentary, essay film, video art, and animation. The festival emphasizes artistic vision in telling these stories through short film (15 min. Shakti Bhagchandani, director of LostFound, described FBAFF programming as “nuanced, complex, uplifting jewels that explore issues such as the coming-of-age of transgender identities, the pain and secrecy of sexual violence, the infinite difficulties faced by undocumented immigrants, and the injustice endured by women in societies from all over the world.” Developed on the NMSU campus in Las Cruces, New Mexico, the Feminist Border Arts Film Festival celebrates the power of cinema as a creative tool to reflect upon urgent social issues and thought-provoking representations of identity and difference.
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Presented in conjunction with the Feminisms exhibition at 516 ARTS (on view through January 2, 2021), the Feminist Border Arts Film Festival (FBAFF) is a series of short films by student, independent, and professional filmmakers, domestic and international. Subjects include the value of gender-based art exhibitions the cultural and economic circumstances negotiated by female artists and curators how feminist exhibitions serve as platforms that ground conversations about equality, misogyny, and artworld bias and how art can serve as a departure point for the cause of social justice.
Moderated by Lauren Tresp, publisher and editor at Southwest Contemporary, Santa Fe, this discussion around curating femme and femme-identifying artwork will span multiple feminist themes relating to these exhibitions. Hanley ( Feminisms, 516 ARTS, Albuquerque) Mary Statzer ( Indelible Ink: Native Women, Printmaking, Collaboration, UNM Art Museum, Albuquerque) Marisa Sage ( Labor: Motherhood & Art in 2020, NMSU Art Museum, Las Cruces) and Lucy Lippard ( Feminist Art in the Age of Trump, Axle Contemporary, Santa Fe). The public is invited to an online discussion with four New Mexico women curators who have each organized woman-centered art exhibitions in New Mexico in 2020: Andrea R. It will be accompanied by public programs in Albuquerque and Santa Fe, including forums, performances, and education activities. Hanley (Navajo), chief curator at the Wheelwright Museum, who focuses on both nontraditional and contemporary Native American artwork by artists from the Americas. The exhibition at 516 ARTS is led by guest curator Andrea R. These ten artists approach their process and practice in a variety of mediums including video, performance, installation, and two- and three-dimensional works, all of which are connected to current cultural, political, historical, and semiotic climates. Works are far-reaching from a diasporic experience, the politics of body, resilience, self-determination, and land. The exhibition features women artists of various cultures who are broadly from the West, and whose creative possibilities use the theme of feminism in its most expansive meaning. This grassroots initiative strives to maintain a nonhierarchical working model that questions and seeks to overcome colonial and patriarchal narratives within institutional spaces.ĥ16 ARTS, a non-collecting contemporary art museum in Albuquerque, New Mexico, presents Feminisms, in partnership with Southwest Contemporary and the Wheelwright Museum of the American Indian. At various points curatorial support for the project has included Val Moon, Lucia Olubunmi Momoh, Claire Frost, and Shaelyn Hanes.Īlongside the steering committee, all FAC participants are encouraged to self-organize working groups around issues they consider urgent, and each project is organized by the originating institution. The administration of FAC is largely organized by a steering committee that consists of Vic Brooks, Aldeide Delgado, Apsara DiQuinzio, Anne Ellegood, Rita Gonzalez, and Henriette Huldisch.
Vic Brooks, Johanna Burton, Sofía Hernández Chong Cuy, Lauren Cornell, Adrienne Edwards, Anne Ellegood, Rita Gonzalez, Henriette Huldisch, Eungie Joo, Tina Kukielski, Kim Nguyen, Solveig Øvstebø, Lucía Sanromán, and Claudia Schmuckli were members of the working group. This later crystallized into a working group that developed the mission of FAC in spring 2018 when the curators convened in Berkeley, facilitated by a grant from the Warhol Foundation for the Visual Arts.
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